Monday, October 2, 2017

Pink Floyd - The Massed Gadgets of Auximenes (upgrade)

Pink Floyd – The Massed Gadgets of Auximenes
(soniclovenoize “The Man & The Journey” studio reconstruction)
September 2017 Upgrade

Side A:
1.  Daybreak, Pt 1
2.  Work
3.  Afternoon
4.  Doing It!
5.  Sleeping
6.  Nightmare
7.  Daybreak, Pt 2

Side B:
8.  The Beginning
9.  Beset By Creatures of the Deep
10.  The Narrow Way
11.  The Pink Jungle
12.  The Labyrinths of Auximenes
13.  Behold The Temple of Light
14.  The End of The Beginning

After the release of Pink Floyd’s The Early Years anthology—especially the Dramatis/ation volume—I reevaluated this previous reconstruction, contemplating if it could be improved upon.  And I found I could!  This is an upgrade to a studio reconstruction of the never-recorded experimental performance piece of “The Man and The Journey”, often titled The Massed Gadgets of Auximenes.  This reconstruction attempts to present a version of the performance that would have taken the place of the More soundtrack and Ummagumma album, only utilizing studio recordings and condensing the performance down to two sides of a vinyl album. 

The upgrades to this September 2017 edition are:
  • “Careful of that Axe Eugene” is used for “Beset by Creatures of the Deep” instead of “Come In Number 51, Your Time Is Up”
  • “Main Theme” is used for “The Pink Jungle” instead of the live version of “Syncopated Pandemonium”
  • “The Grand Vizier’s Garden Party II” is used for “The Labyrinths of Auximenes” instead of the live version of “Interstellar Overdrive”
  • A new, longer edit of “Behold The Temple of Light was created.
  • “Cirrus Minor” is used for “The End of The Beginning” instead of the live version of “Celestial Voices”. 
Musical soul-searching was the predominant mindset in 1969 for Pink Floyd.  The previous year had seen the band attempt to mimic their former bandleader’s singles-oriented approach to psyche-pop with their second release A Saucerful of Secrets as well as the single releases “It Would Be So Nice” and “Point Me At the Sky”.  While both singles failed to make any significant chart impact, it was actually the latter’s instrumental b-side “Careful With That Axe Eugene” that garnished some underground FM-radio play, prompting the band to make it a live staple.  Following the cues of their audience’s reaction to the one-off track, Pink Floyd switched gears and focused on what the remaining four members could do the best without Syd Barrett: sprawling, experimental psychedelic jams. 

The perfect opportunity to test these waters came in February 1969, recording the soundtrack for the film More at Pyre Studios in London.  For several months, the band tracked a few songs and a number of musical themes for director Barbet Schroeder that ranged from Pink Floyd’s typical space rock to pastoral ballads, from exotic influences to even proto-metal hard rock.  The soundtrack album was released in June and while not a critical nor commercial success, several of the album’s highlights were added to their current set, including “Green is The Colour” and “Cymbaline”.  But More was not all; by then Pink Floyd had also been working on their own proper follow-up to A Saucerful of Secrets. 

That Spring, each member of Pink Floyd entered Abbey Road studios alone to record solo material, intended to be collected together as the next Pink Floyd album.  Although Nick Mason and Richard Wright’s material was largely instrumental and experimental, Roger Water’s and David Gilmour’s material each featured a song that had already been performed live with the full band, “Grantchester Meadows” and “The Narrow Way”.  Paired with exquisite live recordings from The Mothers Club on April 27th and the Manchester College of Commerce on May 2nd, Ummagumma was released in October and cemented Pink Floyd’s status as a cult band, prepared to push rock’s envelope, even without hit singles.

While both More and Ummagumma tell a story of Pink Floyd’s progress in 1969, it is not the complete story.  With new and original material spread across two separate albums essentially recorded simultaneously, as well as another two albums-worth of material in their back pocket, the band pondered how to present the material in a cohesive live setting beyond the typical rock band performance.  Choosing to cull the highlights from both projects as well as their favorite instrumental jams from The Piper at the Gates of Dawn and A Saucerful of Secrets (as well as the b-side that was the catalyst for it all), Pink Floyd designed a series of performances from April to June, sometimes entitled The Massed Gadgets of Auximenes but usually titled “The Man and The Journey”. 

“The Man & The Journey” was arranged as two 40-minute movements, and utilized the newly-built Azimuth Coordinator, a primitive incarnation of a surround sound system which played pre-recorded samples meant to fit into the performances itself.  The first set—called “The Man”—seemed to follow the events of a typical person throughout his mundane, British, post-Industrial life.  The set included the members of Pink Floyd actually building a table on-stage (to represent ‘Work’) and being served tea (to represent ‘Teatime’).  The concept, as explained by Gilmour, was inspired by graffiti near Paddington Station, which said “Get up, go to work, come home, go to bed, get up, go to work, come home, go to bed, [repeated]... How much longer can you keep this up?  How much longer before you crack?”

The concept of the second set is less clearly defined and seemed to be largely instrumental and improvisational.  Called “The Journey”, sketches from the performances’ playbill—and even the songs themselves—seem to suggest the piece follows a pilgrim’s quest.  A member of Pink Floyd’s crew even appeared in a sea creature’s costume, moving through the audience and appearing on-stage near the end of the set.  Is there some greater meaning or metaphor beyond this?  Is this the Man’s own spiritual journey through existence?  Knowing Pink Floyd’s conceptual pretensions, that very well might be the case. But Pink Floyd has never given any hints of what the journey nor its prize was, the task apparently left to the imaginations of the listeners.  My own interpretation is that “The Journey” is the evolution of agricultural mankind into industrial mankind, the quest for knowledge and technology; while there isn’t an actual Greek name Auximines, it could be stemmed from the Latin auxiliāris (to help) and the first pharaoh of Egypt, Menes (whose name translates to “he who endures”), literally a metaphor for the king (of humanity) who is assisted by gadgets (our technology) as he endures (history). 

After two seasons of performances of “The Man & The Journey” which concluded with a penultimate performance in Amsterdam on September 17th professionally recorded by VPRO Radio, Pink Floyd retired the conceptual pieces in time for Ummagumma’s release in October.  Unfortunately, the music assembled as “The Man & The Journey” was never formally recorded in the studio, suggesting that it was simply a way for the band to present the disparaging More and Ummagumma material in a live setting, rather than “The Man & The Journey” being the true genesis of either albums.  But is there a way to construct a studio version of “The Man & The Journey”, to condense and create some sort of conceptual order to Pink Floyd’s 1969 output? 

My reconstruction of “The Man & The Journey” will have two rules.  The first (which I regretfully broke when I originally reconstructed this album a few years ago) is that only studio material recorded in this era will be allowed.  This will exclude both live material and anything after 1969.  The problem that arises from this rule is that some of these pieces (“Work” and “Behold The Temple of Light”, for example) were never properly recorded by Pink Floyd.  The solution to this is in the second rule: we will substitute some unavailable tracks for other similar ones, assuming they are still from this same era.  Likewise we will try to avoid using previously-released tracks (“Pow R Toc H” or any section of “A Saucerful of Secrets”, for example) so that this album reconstruction can fit into any continuity you desire.  The Azimuth Coordinator sound effects are also omitted, as I believe it fits better for a live performance rather than a studio album.  I also chose to condense each set to fit on its own side of an LP, limited to 24 minutes. 

Side A—The Man—remains unaltered from my previous version of this reconstruction.  The Man wakes at “Daybreak” (“Grantchester Meadows” from Ummagumma) and then goes to “Work (since this musical piece was never recorded by Pink Floyd, we will use a similar-sounding track, “Sysyphus Part III” from Ummagumma).  “Tea Time” is omitted from my reconstruction, as it seemed more of a performance piece and less effective as an album recording.  “Afternoon” follows (“Biding My Time” from Relics), as well as the track “Doing It!” meant to represent sexual intercourse (often a Nick Mason drum solo, Pink Floyd often used either “Up the Khyber”, “Syncopated Pandemonium” or “The Grand Vizier’s Garden Party (Entertainment)” for this; here I use the later from Ummagumma).  Next the Man falls asleep (using an edited version of “Quicksilver” from More) and slips into a “Nightmare” (as represented by “Cymbaline” also from More).  The side concludes with the Man waking from his dream to the next day’s “Daybreak” (a short edit of "Grantchester Meadows"). 

Side B—The Journey—begins with the pilgrim leaving the British pastoral countryside (“Green is the Colour” from More) by sea, when they are soon “Beset By Creatures of The Deep” (depicted by “Careful With That Axe Eugene” from Relics).  The pilgrim’s ship plows through a 'horrid storm' (as depicted by “The Narrow Way III” from Ummagumma) and finally arrive on land, moving through a “Pink Jungle” (while Pink Floyd performed “Pow R Toc H” for this piece, here we will substitute a different ‘tribal’ track based around a rolling bass riff: an edit of “Main Theme” from More).  Our adventurers next creep through the “Labyrinth of Auximenes” (this piece often featured the bassline to the verses of “Let There Be More Light” juxtaposed with guitar effects and ominous drums; when stripped of the bass line, we are left with a track reminiscent of the first few minutes of “The Grand Vizier’s Garden Party II” from Ummagumma, which I used here) and “Behold The Temple of Light” (looping the chord sequence from “The Narrow Way II” also from Ummagumma).  “The End of The Beginning” is a problematic conclusion to the album, as any use of “Celestial Voices” would be reusing an old track, not to mention an anticlimax if using the subdued studio version that lacks the bombast of how it was performed for “The Man and The Journey”.  Here, we will substitute a different song that features a very similar organ passage: “Cirrus Minor” from More.  Not only are we then concluding the album on an actual song, but also it references a journey and features bird sound effects, a reoccurring motif of the performance.  

Lossless FLAC (part 1, part 2)

Sources Used:
Relics (1996 remaster)
Soundtrack to the Film ‘More’ (1987 remaster)
Ummagumma (1994 remaster)
 flac --> wav --> editing in SONAR and Goldwave --> flac encoding via TLH lv8
*md5, artwork and tracknotes included


  1. Another great one, thanks again Sonic.

    In case you still want to try for some Hip Hop albums that never were, here's a TON of unreleased Tupac material in lossless:!u14igDAJ!MZ2tgUTQvXChQ4Se7raeYw

  2. Thanks Sonic... looking forward to the upgrade.

  3. Hey have you ever considered making a reconstruction of the rivers cuomo solo project homie? Also have you thought of doing the original Tonight's the Night that was meant to be released in 1973?

    1. Unfortunately we have, at best, 2 HOMiE tracks. This material is the Holy Grail.

    2. Good point considering the material we have it would be a low quality live album

  4. I dunno.... I know you make 'creative decisions' on these, but using "Cirrus Minor" instead of the intended "Celestial Voices" really spoils this for me. Pink Floyd would never have done that, especially since they were okay with releasing a second "Saucerful" so soon anyway.

  5. Awesome as always man. And LOVED the last one. Cut My Hair is the shit. With Hitchhiker coming out, any plans for more Neil Young releases? Time Fades Away II, Old Ways I, Oceanside-Countryside, Tonight's The Night acetate, Toast.

    1. Waiting for his online archive to happen. Then all that will be done.

    2. You're a lot more optimistic about that than I am lol.. time moves a lot slower for Neil Young than the rest of us. Not sure how he does it.

  6. Or, how could I forget, The Dead's unreleased follow-up to American Beauty, Ramble On Rose, would be your masterpiece!

    1. I recently did this. Although I'm sure it is not what they intended. My goal was to make on unified 1972 album. I took the new songs from Europe 72 and the best songs from Bob and Jerry's respective solo albums. Came out as a double album but a worthy double album. Sequenced for vinyl, each side is between 22 and 23 minutes. And there are still a lot of good songs left.

      Side A
      01 Deal
      02 One More Saturday Night
      03 Jack Straw
      04 Mr Charlie
      05 To Lay Me Down

      Side B
      01 Greatest Story Ever Told
      02 Ramble On Rose
      03 Tennessee Jed
      04 Black-Throated Wind

      Side C
      01 Bertha
      02 Sugaree
      03 Looks Like Rain
      04 Loser

      Side D
      01 Cassidy
      02 He's Gone
      03 Playing In The Band
      04 Bird Song

    2. Yeah it's hard NOT to go for a double album with so many damn good songs from that year. Where's "The Wheel" at though?!

    3. I made a companion disc that gathers the left overs. You can call it a bonus disc for the expanded deluxe reissue or the 1973 follow up before Wake of the Flood. I just needed a vehilcle for They Love Each Other.

      01 Brown-Eyed Woman
      02 Walk In The Sunshine
      03 The stranger (Two Souls In Communion)
      04 The Wheel
      05 They Love Each Other
      06 Chinatown Shuffle
      07 Wharf Rat
      08 Mexicali Blues

      They Love Each Other is a bit of a cheat. The version I used is the studio version from Jerry's Reflections album but it is a Dead recording, They played it live for the first time in February '73. Two Pigpen songs. With the exception of Sunshine and Love Each Other the rest are live recordings. I was fine with the brass on most of the '72 solo recordings but Mexicali Blues was over the top so I found a live version from the Europe '72 recordings.

    4. Very it available somewhere? Thank you very much.

    5. zippy links while they last.

      Ramble On 1972
      Two Souls in Communion

      Quick and dirty constructions. Not the same attention to detail as Sonic but they came out nice.

  7. Dude, you need to stop reading my mind. :P

    I made up a version of Gadgets... which includes a few Syd performances (in keeping with an imaginary continuity between an album I created called Rhamadan and your own Vantage Point). But more importantly, it uses Careful With That Axe, Eugene and Cirrus Minor in the same places you've used them! It must be a logical conclusion then. XD

    1. Great minds think alike! ;)

      At one point in time I thought of combining the Syd Floyd continuity with this, and putting things like Golden Hair inbetween Doin It and Sleeping. I ultimately decided not to do it, but it was a fun idea.

    2. I managed to pull together a track listing that I thought worked:

      "Afternoon" is "Here I Go"
      "Nightmare" is "No Good Trying"
      "The Beginning" is take 4 of "She Took A Long Cold Look At Me" (which is complete and, in my opinion, a better performance)
      "The Pink Jungle" is "Lanky Part 1"

      I also took a few liberties that are probably *most inappropriate*:

      "The Labyrinths of Auximenes" is "The Narrow Way Part 2" and it fades into "Cirrus Minor" at the chord just prior to "TNW Part 3"

      That aside, it's basically your reconstruction. I also added some ocean sounds to "The Beginning", some wind sound to "The Narrow Way", and some jungle sounds to "The Pink Jungle"; all of which I found on

      Is it accurate or even possible a Syd-ful Floyd would do The Massed Gadgets of Auximenes, especially in this blasphemous configuration? Probably not. But it works really well, I think. And yeah, it is a fun idea.

  8. Congratulations once again. I think that you have one of the most original webs in the net and best documented. As Ringo would sing for you, You're the greatest!.

  9. Thanks for taking the time to put this together. Very nice indeed.

  10. Wow fascinating as ever Thanks Sonic

  11. Thnak you very much for this, your work is very appreciated. Have you any ideas for some reconstruction about Jimi Hendrix?


    2. Just listened to "First Rays" last night...fantastic!

    3. Thank you very much for Jimi Hendrix reconstruction, it's fantastic. Do you have intention to make some other stuff about him?

  12. Excellent! Thanks for the upgrade. Much appreciated.

  13. Hmmm, I genuinely think you original incarnation was better.

    Perhaps using elements of the recent boxset and doing an alternative More album would have been a better idea?

  14. Mind giving my alternate take on a Yellow Submarine album a listen?!kgIEFTTD!flM5t6UBfXB7ech-FQIykQ

  15. Idea for reconstruction: Eddie and the Cruisers - "Tender Years" album

    1. I'm still holding out for the A Season In Hell tapes.

  16. Last night I did a pre David Stewart version of Petty's "Southern Accents" less stand out songs, but a tighter album that works together.

    1. I've put together that as well. Much more cohesive concept album.

    2. Like to assemble my own - curious what your tracklist(s) are.

    3. Mine is:
      Side A
      1. Rebels
      2. Trailer
      3. The Image of Me
      4. Cracking Up
      5. Southern Accents

      Side B
      1. The Apartment Song
      2. Big Boss Man
      3. Spike
      4. Dogs on the Run
      5. Mary's New Car
      6. The Best of Everything

  17. Awesome album sonic! I still prefer the previous version of Beset By Creatures of the Deep instead of Careful With That Axe, Eugene. But it's still perfect, as always! Also, will you do an upgrade on Vantage Point too?

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