Small Faces –
1862
(soniclovenoize
reconstruction)
Side A:
1. Hello The Universal
2. Donkey Rides, A Penny, A Glass
3. Wide Eyed Girl On The Wall
4. The Autumn Stone
5. Evolution
6. The War of The Worlds
Side B:
7. Red Balloon
8. What You Will
9. Collibosher
10. Growing Closer
11. Wrist Job
12. Wham Bam Thank You Ma’am
Continuing
our weekly Social Distancing bonus reconstructions, this a long-requested
one. This is a reconstruction of the
unfinished final Small Faces album, 1862.
Recorded throughout 1968, Small Faces broke up before finishing
the album. Several of the tracks would instead
eventually appear on their posthumous 1969 collection The Autumn Stone. This reconstruction attempts to present 1862
as a completed album, using the best quality stereo mixes of the material.
After their
smash hits of “Itchycoo Park” and “Tin Soldier”, the release of Small Faces
third album Ogden’s Nut Gone Flake ushered the band into the emerging art-rock
scene, being a psychedelic concept album with unique, circular packaging. Its single “Lazy Sunday” charted to number
two in 1968, making them one of the top bands in the UK. Although the band felt they had already achieved
their masterpiece, they returned to Trident studios with Glyn Johns to work on
a follow-up album the day before Ogden’s release in May. The theoretical fourth album was titled 1862,
named after the metal plaque on the hundred-year-old chapel owned by Marriott,
where the band rehearsed. Top priority
was a cover of Tim Hardin’s “Red Balloon”, a bittersweet folk ballad about heroin
addiction. Also tracked were two
instrumentals, ambiguously named “Fred” and “Jack”, which the band never went
back to finish.
Several
weeks later in June, the Small Faces went in to Olympic Studios to record a
stopgap single between Ogden’s and 1862: the folk ballad “Hello The Universal”
and the poppy rocker “Donkey Rides, A Penny, A Glass”. An elaborate third song was recorded, “Wide
Eyed Girl on the Wall”, but was apparently never completed, lacking vocals;
like “Fred” and “Jack”, Small Faces never returned to complete the track. The two finished songs were released as a
single at the end of the month, but failed to mimic their previous success, despite
being better compositions with more refined arrangement and production. Furthermore, due to a pressing typo, “Hello
The Universal” was misscredited simply as “The Universal”.
Touring to
support Odgen’s also proved difficult, as the material was just too complex to
perform live. Frontman Steve Marriott pitched the idea of
adding a fifth member as a second guitarist, freeing himself to focus on
singing—the prime candidate was Marriott’s friend Peter Frampton. The rest of the band detested the idea, and
they soldered on as a quartet. Returning
to Olympic in September, two more contrasting songs were tracked: the hard
rocker of “Wham Bam Thank You Ma’am” and the pastoral folk ballad “The Autumn
Stone.” The band did not take so kindly
to the former, with bassist Ronnie Lane storming out of the sessions and keyboardist
Ian McLagan refusing to play on it. Regardless,
the heavy riff rock of “Wham Bam Thank You Ma’am” signaled the direction
Marriott wanted to move in, and he brought in Nicky Hopkins to complete McLagan’s
parts!
In December,
Glyn Johns invited the Small Faces to act as a backing band for French singer
Johnny Hallyday and to record an album.
Being in a state of confusion, uncertainty and debt to their label, the
band accepted but somehow found Peter Frampton joining their ranks from the recommendation
of either Marriott or Johns. In the
course of the sessions, a few Marriott originals were worked up for Hallyday: a
cover of an older Small Faces song “That Man” and two newer compositions, “Bang!”
and “What You Will”. The perceptions of
the resultant album Riviere Ouvre Ton were contrasting; while McLagan and
drummer Kenney Jones thought the sessions were awful, Marriott relished the opportunity
to work with Frampton and took this as a sign to restart anew. Marriott officially quit Small Faces,
storming off stage on their New Years Eve performance.
With perfect
timing, Immediate Records released a new mix of “Afterglow”, backed with “Wham
Bam Thank You Ma’am” (again misprinted as “Wham Bam Thank You Man”) in March
1969. Marriott immediately formed a new
group with Frampton called Humble Pie, with a decidingly heavier sound, as
heard in “Wham Bam”. Their debut single “Natural
Born Bugie” featured a new recording of “Fred”, the instrumental from the May
Trident sessions, now including a vocal and retitled “Wrist Job”. Humble Pie’s debut album As Safe as Yesterday
Is was released in August, which featured new recordings of “Bang” and “What
You Will”, as well as folk jam “Growing Closer”, written as a collaboration between
Frampton and McLagan, who had briefly rehearsed with Humble Pie before declining
a position in the band. Simultaneously, McLagan,
Lane and Jones regrouped with new frontman Rod Stewart and future Rolling Stones
guitarist Ronnie Wood as just simply the Faces.
By the end of the year, the quintet began recording their debut album,
First Step, which had a very rootsy atmosphere.
While largely Stewart and Wood compositions, the 1970 album did feature
an older Ronnie Lane original, “Stone”, which initially appeared as a collaboration
with Pete Townshend as “Evolution” the previous year.
Putting
Faces and Humble Pie aside, Immediate also attempted a final cash grab for the
Small Faces: a posthumous compilation album originally titled In Memorium, which
contained some of the material recorded for 1862: “Red Balloon”, “Wide Eyed
Girl on the Wall” and “The Autumn Stone.”
In Memorium also included a pair of songs long-attributed to 1862, but
which were actually Ogden’s outtakes: “Call It Something Nice”, recorded at the
very first Ogden’s session in April 1967, and “Collibosher”, recorded at the
very last Odgen’s session in April 1968!
The Small Faces showed dismay for the morbid title, and Immediate withdrew
and renamed the album The Autumn Stone, reissued as a double LP. This edition added “The Universal” and “Wham
Bam Thank You Ma’am”, now harboring most of the finished 1862 recordings. Throughout the years, the twin instrumentals “Fred”
and “Jack” made their way from the vaults to discount-bin anthology CDs, both mysteriously
retitled to “The Pig Trotters” and “The War of The Worlds” without any band authorization. This was the final say of 1862, its scraps
littering The Autumn Stone and as various CD reissue bonus tracks and as a living
mystery in the minds of Small Faces fans.
Interestingly,
some clues to 1862 were found in a blog post by Mick Taylor in 2008 regarding the backstory
of the song “Red Balloon”; the blog post had some contribution from Toby
Marriott, Steve’s son. In the post, Toby
mentions he had once read his father’s 1968 songbook, which stated the possible
tracklist for 1862: “The Autumn Stone”, “Red Balloon”, “Collibosher”, “Buttermilk
Boy”, “Wrist Job”, “Piccaninny”, “Wide Eyed Girl On The Wall”, “Donkey Rides, A
Penny, A Glass” and a song only referenced as “Blues Jam.” What is strange about this tracklist is its inclusion
of the December 1966 outtake “Piccaninny”, severely out-of-date amongst the
1968 sessions, as well as “Buttermilk Boy”, recorded for As Safe as Yesterday
Is. Toby also mentions he no longer had
the songbook, so he had to have been listing them from memory. Can his recollection be trusted? We will use this as a simple guidepost to
reconstruct 1862 and try to logically fill in the gaps.
For my
reconstruction, we will take all these facts into account, but primarily
intending to make an 1862 that sound musically cohesive. We will also exclusively use Small Faces mixes
found on the Here Come The Nice box set, being all stereo remixes that sound simply
exquisite, as opposed to the crud on The Autumn Stone. We will also rely on the several instrumental
tracks, but we will appropriately fade them out to make them of a concise length
and spread them throughout the album. I
have chosen to exclude both “Piccaninny” and “Call It Something Nice”, as they
both pre-dated the recording sessions for 1862 and do not sonically sound
identical enough to the rest of the material (although I will use “Collibosher”,
as it was at least tracked in 1968). Additionally,
we will use some tracks from As Safe As Yesterday Is and First Step, since a
few of their tracks dated from the 1862 era and, fortunately for us, sound sonically
similar to the finished 1862 tracks anyways.
Side A
begins with the single that highlighted this era, “Hello The Universal” and “Donkey
Rides, A Penny, A Glass,” both great introductions to the album. Next, “Wide Eyed Girl On The Wall”, the
stereo mix which has a new fade-out to match the mono mix, followed by “The
Autumn Stone.” Next I chose Face’s “Evolution”
as not only does it feature most of the Small Faces, it could have very well been
Ronnie Lane’s contribution to the original 1862 album since the song dated from
around that time. Side A dramatically closes
with “The War of The Worlds”, faded out to make it an appropriate length.
Side B
begins with “Red Balloon”, another keystone song in 1862. This is followed by the Humble Pie version of
“What You Will” since the song was worked on by Small Faces during the Hallyday
sessions, not to mention the song distinctly sounds like an 1862 song! Although “Collibosher” dates from the final
Ogden’s sessions, it does sound remarkably like an 1862 song, so I am including
it here, again fading it out early to be concise. Next, I’ve chosen “Growing Closer” from As
Safe As Yesterday Is, as it could have been Ian McLagan’s contribution to the
album, not to mention the acoustic and flute seemed to fit perfectly in the
album! Following is “Wrist Job”, using the
Small Face’s instrumental instead of the Humble Pie lyrical version. The album closes with a punch—“Wham Bam Thank
You Ma’am”, in true stereo!
Sources
used:
Small Faces –
Here Come The Nice (2014 Immediate Records box set)
Faces –
First Step (2015 Rhino remaster)
Humble Pie –
As Safe As Yesterday Is (2008 Repertoire Records remaster)
flac --> wav --> editing in SONAR Pro and Goldwave
--> flac encoding via TLH lv8
* md5 files, track notes and artwork included
Thanks Sonic! Not that familiar with the Small Faces, but I'm more than willing to give it a shot. Thanks again.
ReplyDeleteGreat stuff, Sonic!
ReplyDeleteMy version is similar, only that I excluded the unfinished "War of the Worlds", and both sides of the "The Universal" single from mid-1968, and added in "Buttermilk Boy", "Call it Something Nice", and "Bang!", in which amounted to a more finished sounding record:
Wide Eyed Girl on the Wall (The Autumn Stone)
Call it Something Nice (The Autumn Stone)
Bang! (As Safe as Yesterday Is)
Wrist Job (As Safe as Yesterday Is)
Red Balloon (The Autumn Stone)
Wham Bam, Thank You Ma'am (The Autumn Stone)
Buttermilk Boy (As Safe as Yesterday Is)
Stone (The Faces' First Step)
Collibosher (The Autumn Stone)
Growing Closer (As Safe as Yesterday Is)
What You Will (As Safe as Yesterday Is)
The Autumn Stone (The Autumn Stone)
The Universal and Donkey Rides are a non-album single, as was Tin Soldier. Great cover, btw!
"Evolution" cuts out at 38Secs
ReplyDeleteOtherwise brillinat
"Red Balloon" Cutting out early too
ReplyDeleteVery strange, the FLAC file was corrupted. I reupped it, so it should be fixed.
DeleteThank you so musch.
DeleteAll sounds great now
Great addition to the collection of albums that never were. I've been listening to this album on loop. May I suggest for your next reconstruction the 1978 Kiss album that never were, all members released solo albums to lukewarm reviews. Thanks again for the great work!
ReplyDeleteHmmm... I can't find 'Autumn Stone' anywhere on the tracklist for "Here Come The Nice" boxset. Cool project, and I like your cover art, too.
ReplyDeleteThank you, thank you, thank you!
ReplyDeletethis is excellent - thank you so much. As a side question, i would love a version of ogdens without stanley unwins chatter - as charming as it is, for my ears it wears thin after a couple of listens. Its not really an album that never was though i guess.
ReplyDeleteThat's what I did. Rather than try to construct 1862, I redid Odgen's. https://whatif-misc.blogspot.com/2018/06/the-small-faces-afterglow-1968.html
Deleteah ok excellent i will take a listen thanks
DeleteThis is a wonderful thing. Thank you!
ReplyDeleteYou do superlative work! Better than actual labels. It's good to have this final might have been SF work! I also loved Medicine Sunday - reminds me of mix tapes I used to make only sonically superior. Great period cover art as well- long may you run!
ReplyDeleteThis is extremely exciting. Thank you so much. Cannot wait to listen to this!
ReplyDeleteGreat work as always, Sonic! Speaking of 1968, have you ever considered cobbling together a Hollies album from 1968 with the stuff they recorded before Graham Nash left for CSN? It would be interesting to see what you would come up with...
ReplyDeleteI second that suggestion.
DeleteI could've sworn he already did that, but I don't see it listed anymore. It was titled "Listen to Us"
DeleteAEC, you got the blogs confused. I was the one that did it way back then:
Deletehttps://the-reconstructor.blogspot.com/2018/04/the-hollies-listen-to-us-1968.html
Ah! Thanks. I am a confused guy. :)
DeleteSonic, as usual you have done a superb job. Better still, I wasn't familiar with any of these tracks, so it's like magic - a new lost (to me) album. Keep up the good work.
ReplyDeleteHi Sonic, is everything good there? You have now missed two weeks in a row on your weekly series admist this pandemic, and we are getting worried.
ReplyDeleteHi Sonic.. Hope you are well. Have you ever thought of recreating the final Iggy & The Stooges album that never happened? Plenty of material to mine to create the bext sonic version of it!
ReplyDeleteBest
The Stooge
Wasn't their version of Tim Hardin's If I Were a Carpenter recorded around this time? I'd have included that too.
ReplyDeleteHi Sonic. Great work. Ever thought of creating Pink Floyd's 'The Big Spliff' album. Lots of great tracks around. I've put together my own track listing but I'd love to hear yours and others efforts to remix all the material, I can't find anyone whose attempted the project... here's my rough running order.
ReplyDeleteFirst In Space
Cluster One out take 1993
TBS 14
Untitled #1 Demo 1993
Marooned Jam
Rick's Theme
Anisinia
Allons-y
David's Blues
Nervana
Slippery Guitar
Blues 1
Untitled #2 demo
Untitled #3 demo
Carnival Relations
Untitled
Evrika A
Evrika B
Colours of Infinity
I don't know if this is an artist that interests you, but you should check out Gorillaz "Carousel" and the major changes that ultimately yielded the final tracklisting for "Plastic Beach".
ReplyDeleteSupposedly the concept shifted radically due to pressure from the label, as well as self-doubt from principle songwriter Damon Albarn.
"Carousel" became "Plastic Beach" with the intention of it being potentially a three-part album. However, even Plastic Beach ultimately was narrowed down to a 15 track record that failed to realize its full potential (despite being very successful in its own right).
Just something to think about!
I have just listened to yours against two other versions and yours tops them by miles. You have made the only project I heard that was suitable for company executives appreciation and eventual official release (and not a mere novelty for fan bootleging). Great work as always!
ReplyDeleteThanks for sharing.
ReplyDeleteStellar.
ReplyDeleteempty3
ReplyDeletehttps://mega.nz/file/61AlVQCD#6k4SKZoGQFEgltUCDxexi_QluErZhKB9rZlMSd74iIw
listless
https://mega.nz/file/Sh5lGACb#0uaYGSWp8SFrGT80QVnqwj7iJFI0k3L4X57glLsUDY8
I do not see the link for the download. Is it still available?
ReplyDeleteLook up
Deletehttps://www81.zippyshare.com/v/GR8ipN9l/file.html
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteCould you please re-up this. After using the link above, I'm told that the file is no longer available. Many thanks :)
ReplyDeletehttps://mega.nz/file/XplAUI7L#d0WPdQct39q65DmJWNRueBazAU9ElSB65ywEIXwxn-A
Deletehttps://mega.nz/file/u5t0jACL#xeozDW3buCBHqzUidrCVENEyFV9RMTyiQad946LQJ0Q
ReplyDeleteThis is a great article. Thanks for taking the time for doing it, I gave found the information invaluable.
I have the "discount-bin anthology CD" (I've had it for years) but recently I've discovered the Johnny Hallyday album and have just bought Humble Pie's "discount-bin anthology CD"
So I've been sitting here, using this article, working out the chronology of the recordings from all three CDs for the period 1968-69. I've made a playlist on my phone, and I'll post the listing here for reference. But there is two songs on the Anthology CD that aren't mentioned here: Don't Burst My Bubble and Take My Time. Do you have any information on these two?
Chronological order
Picaninny
Call It Something Nice
Collibosher
Red balloon
The Pig Trotters
The War 0f The Worlds
The Universal
Donkey Rides, A Penny, A Glass
Wide Eyed Girl On The Wall
Wham Bam Thank You Mam
The The Autumn Stone
The Hallyday/Humble Pie crossover tracks is for another playlist.
I'd be curious to know why you left out 'Bang!', as you mention it being done during the Hallyday sessions. I think Buttermilk Boy could work, but I agree that there's not much evidence for it.
ReplyDeleteAnother thought: Would it be possible to use your vocal extraction techniques (that you've used very well) to take the vocals from the HP version of Wrist Job and put it on the SF version - making it a new finished SF song. I don't know how easy to do this sort of thing, as I'm fairly illiterate in these things.
ReplyDelete