The Beach Boys – SMiLE
(soniclovenoize Stereo BWPS 2004 mix)
Sept 2013 UPGRADE
Suite One:
1. Our Prayer/Gee
2. Heroes and
Villains
3. Do You Like Worms?
4. Barnyard
5. The Old Master
Painter/You Are My Sunshine
6. Cabin Essence
Suite Two:
7. Wonderful
8. Look
9. Child Is Father of
The Man
10. Surf’s Up
Suite Three:
11. I’m In Great
Shape/I Wanna Be Around/Workshop
12. Vege-Tables
13. Holiday
14. Wind Chimes
15. Mrs. O’Leary’s
Cow
16. I Love To Say
Dada
17. Good Vibrations
This is an UPGRADE to my ‘Stereo BWPS 2004’ mix of The Beach
Boys SMiLE album. It is constructed to
follow, as closely as possible, the sequence devised
by Brian Wilson and Darian Sahanaja for the 2004 album Brian Wilson Presents SMiLE (which is a
bit different than the version presented on disc one of The SMiLE Sessions
boxset). My mix is also completely in
stereo, as opposed to the mono-only version from the boxset. So, if you think that the blueprint of SMiLE
found on Brian Wilson Presents SMiLE is the way SMiLE should be, this mix is
for you! Or if you really wanted SMiLE to
be all in stereo, then this mix is for you!
Also, absolutely no fly-ins from the 2004 Brian Wilson Presents SMiLE
were used. In my opinion, I believe that
to be anachronistic and contrary to the project itself. It would be like drawing a moustache on the
Mona Lisa! I would rather have an
instrumental track than a combination of 1967 and 2004 recordings. Also note mono mixes from The SMiLE Sessions
were excluded in my synchs if it was obvious that the makers had also flown-in
unnecessary pitch-corrected bits.
The upgrades in this Sept 2013 edition are:
- The true stereo
1967 mix of “Our Prayer” from the Made in California boxset (as opposed to my
synch of the mono 1967 version with the stereo 1969 version)
- New edit of “Heroes and Villains” to follow closer to the
actual BWPS mix
- My own upgraded stereo mix of “Old Master Painter” with a
more accurate synch of the backing and vocal tracks
- A completely new stereo remix of “Cabin Essence” sources
from recreated mutlitracks.
- My own upgraded true stereo mix of “Wonderful” instead of
my previous ‘duophonic’ mix.
- New edit of “Look” to follow closer to the actual BWPS
mix
- New edit of “Vege-Tables” to follow closer to the actual
BWPS mix, sourced from the Made in California mix, as opposed form a vinyl rip
of The SMiLE Sessions LP.
- Upgraded stereo mix of “Wind Chimes” from the Made in
California boxset, as opposed form a vinyl rip of The SMiLE Sessions LP.
- Remixed “Good Vibrations” to make the vocal track a bit
louder.
Sometime in late 2003, Brian Wilson, with the help of his
musical director Darian Sahanaja, decided to top his grandiose
Pet Sounds with the only logical topper: a SMiLE Tour. In doing so, it forced Wilson to revisit a
troubled time in his life: troubles that would inevitably overshadow and nearly
defeat the genius music he originally created in 1967, forcing the unreleased
SMiLE album into the vaults for over 40 years.
Sahanaja and Wilson plowed through the mastertapes and created a
45-minute set composed of three suites, organizing nearly all of the finished
(and unfinished) SMiLE-era tracks into three concepts: Americana, Childhood
& Adulthood and The Elements. New
lyrics were written for the unfinished songs with the help of original lyricist
Van Dyke Parks, and Sahanaja composed original instrumental link-tracks to
further unify the songs into a cohesive whole.
The set was so successful, a studio album was recorded in 2004 and SMiLE
was finally finished. But the sound of a
60-year-old Brian Wilson with the backing harmonies of The Wondermints performing
a facsimile of the cutting-edge magic that made the original records so unique
left many fans dreaming of the original 1967 Beach Boys tapes in this finalized
configuration. But with the abundance of
source material found on 2011 boxset The SMiLE Sessions just waiting to be
re-edited and remixed, this SMiLE mix accomplishes just that!
Suite one—a collection of songs about Western
Expansionism, The Old West and farming—begins with the newly-released true
stereo mix of “Our Prayer” found on Made in California. It is followed by a series of clever edits of
“Heroes and Villains sections” and the stereo mix of “Heroes and Villains” from
The SMiLE Sessions boxset. Next is my
own unique stereo mix of “Do You Like Worms?”, with the vocal tracks synched up
to the stereo backing tracks. Also note the slow panning of the ‘Bicycle Rider Theme’
from right to left, symbolizing the pioneer’s journey from the East to the West
(what the piece originally represented to Brian). A stereo mix of “Barnyard” is created when
the mono mix with vocals is panned at 9 o’clock and synched to the mono
instrumental mix (with a different arrangement of animal noises!) panned at 5
o’clock, segueing directly into my newly-upgraded stereo mix of “Old Master
Painter/You Are My Sunshine”. Here we
have the stereo backing track in which the cellos (panned hard right) are
literally replaced by the mono mix when the vocals come in, to retain both the
stereo picture and the vocals. The suite
is concluded with the my brand new stereo remix of “Cabin Essence”, mixed from
recreated multitracks; it is a synch of the reconstructed stereo backing tracks
and backing vocals form TSS box, and the isolated lead vocals from the album
version found on the Good Vibrations box (extracted via a simple Center Channel
Elimination technique). Because this new
mix has the lead vocals panned to the center and the instrumentation panned
hard right and left (as opposed to the opposite found on the 20/20 album version), we
are allowed more atmosphere and are able to appreciate the track as a whole,
rather than subjected to a reverby, muddy mess.
Although we lose Mike Love’s scat vocals in the second chorus, it is an
even trade-off to have a crystal clear new stereo mix of “Cabin Essence”.
Suite two—a collection of songs
which represent the life cycle of childhood to fatherhood—begins with my own
brand new stereo mix of “Wonderful”, replacing my poorly-conceived duophonic
mix from my previous SMiLE 2004 mix version.
Here we simply have the full mono mix panned at one o’clock with the
isolated backing vocals synched and panned at seven o’clock, creating a true
stereo mix of the song without the need of changing EQ or adding reverb. Next a new edit of “Look” which does follow
the BWPS version more closely, but which does not feature fly-in overdubs from
other sources. Following is my own
stereo mix of “Child Is Father of The Man”, in which the mono track with vocals
is synched to the stereo backing track, thus creating a full stereo
picture. The structure of the song was
re-edited from The SMiLE Sessions boxset to match the structure found on Brian
Wilson Presents SMiLE. It concludes with
the otherwise unused middle-eight instrumental piece as a replacement for Darian Sahanaja’s original instrumentation which obviously did not
exist in 1967. The suite concludes with
the stereo mix of “Surf’s Up” found on The SMiLE Sessions double-LP.
The final suite—a collection of all the supposedly ‘Elemental’
songs—begins with the isolated piano track from the ‘Cantina’ section of
“Heroes and Villains”, again approximating the original instrumental
introduction to “I’m In Great Shape” composed by Sahanaja, modeled after the ‘Cantina’
section anyways. It glides into my own
stereo mix of “I’m in Great Shape” which features the piano & vocal demo
synched to the stereo instrumental backing track. “I Wanna Be Around/Workshop” follows with the
isolated ‘workshop’ sound effects slowly panning from left to right, so that
upon its conclusion the workshop sounds morph into the percussion of
“Vege-Tables”. This is a newly-made re-edit of the stereo mix
of “Vege-Tables” found on Made in California, now matching almost
precisely the structure and length of the BWPS version. “Holiday” is presented as a stereo
instrumental from TSS tracking sessions, as I chose to leave the song as it was
in 1967 without anachronistic fly-ins, followed by the Made in California
stereo mix of “Wind Chimes”. My own
stereo edits of the “Heroes and Villains intro” and “Mrs. O’Leary’s Cow” create
a complete ‘Fire’ Element; the “Water Chant” from the bootleg Unsurpassed
Masters Volume 17 is segued into the stereo instrumental track of “I Love To
Say Dada” to create a complete ‘Water’ Element.
Note that I chose to exclude a synch of the vocals (or fly them in from
elsewhere) because it muddied the mix; as was the case in “Holiday” and “Look”,
I choose to keep them as instrumentals.
Concluding SMiLE is the epic set-closer, my own unique stereo mix of
“Good Vibrations”, in which the original ‘telepathy’ lyrics are synched into
the stereo backing track, as well as including the extra “Hum De Dow”
middle-eight not found in the common single edit, but featured on BWPS: the
ultimate ‘Frankenstein’ stereo “Good Vibrations”.
Sources used:
Good Vibrations: Thirty Years of The Beach Boys (1993 CD box
set)
Good Vibrations (2006 40th Anniversary CD EP)
Made in California (2013 CD box set)
The SMiLE Sessions (2011 CD box set)
The SMiLE Sessions (2011 LP, son-of-albion vinyl rip)
Unsurpassed Masters - Volume 17 (1997 bootleg, Sea of Tunes
Records)
flac --> wav --> editing in SONAR, Audacity &
Goldwave --> flac encoding via TLH lv8
*md5, artwork and tracknotes included
