Wednesday, March 11, 2020

Pink Floyd - Zabriskie Point Soundtrack (UPGRADE)

Pink Floyd – Soundtrack To The Film ‘Zabriskie Point‘

(soniclovenoize reconstruction)

March 2020 UPGRADE

Side A:

1.  Heart Beat, Pig Meat

2.  Country Song

3.  The Violent Sequence

4.  Fingal’s Cave

5.  Crumbling Land

6.  Love Scene

Side B:

7.  Alan’s Blues

8.  Oenone

9.  Rain In The Country

10.  Come In Number 51, Your Time Is Up

Long time/no post!  Here is a long-threatened update to one of my favorite reconstructions, the unreleased 1970 Pink Floyd soundtrack to the film Zabriskie Point.  A specific cycle of music written for the film and allegedly intended as the band's own release, the film’s director Michelangelo Antonioni scrapped most of Pink Floyd’s work in favor of a collection of songs also featuring Grateful Dead, Kaleidoscope and The Youngbloods.  With only three of the band’s intended songs making the cut, the rest trickled out over the years on bootlegs, remaster bonus discs and box sets.  This reconstruction attempts to collect the final takes of the primary compositions for the film and presents it in a cohesive, all-Pink Floyd collection, akin to More and Obscured By Clouds.  Many tracks feature my own unique edits and have all been volume adjusted for coherency. 

Upgrades to this March 2020 edition are:

  • “Rain in the Country” upgraded source from The Early Years
  • New edit of “Fingal’s Cave” from upgraded source, The Early Years
  • New edits of “Oenone” and “Alan’s Blues”
  • Addition of “The Violent Sequence” and “Love Scene”

1969 was a hit and miss year for Pink Floyd.  Obviously searching for a signature sound beyond Syd Barrett’s psychedelic pop, the band spent the year touring and composing conceptual sound experiments, including the live presentation The Man and The Journey (which was also reconstructed on this blog).  Some of this music appeared on the soundtrack to the film More, a collection of pieces Pink Floyd recorded specifically for the Barbet Schroeder film, released in August.  A few other Man and The Journey tracks appeared on the band’s own release Ummagumma in November, a double LP that featured solo studio recordings from each individual member of Pink Floyd and a live disc which featured fantastic recordings from that spring, including a dynamic version of their 1968 b-side, “Careful With That Axe, Eugene”. 

It was that specific b-side which spurred on Pink Floyd’s creation of their next studio soundtrack project, recorded the very month of Ummagumma’s release.  Director Michelangelo Antonioni was so moved by “Careful With That Axe, Eugene”, he requested not only for Pink Floyd to record a new version of it for his upcoming film Zabriskie Point, but to score it’s entirety!  The band gathered into International Recording Studio in Roma in November 1969 to compose and record music specifically for the film, with more work in December at Abbey Road.   In the end, Pink Floyd recorded original music for seven different scenes throughout those two months: 

The opening credits featured an experimental piece called “Heart Beat, Pig Meat”, which was sometimes performed within The Man and The Journey as "Doing It!" throughout 1969.  Driven by a heartbeat-like loop of a microphone tap, Richard Wright’s meandering organ and dialog sound samples from the film and elsewhere, the song opened the officially released soundtrack.  

Pink Floyd recorded several variations of a song called “Country Song”, meant for the scene in which protagonist Daria is driving and looking at a map.  While it was one of the only two songs of the cycle with actual lyrics, they also recorded several shorter, instrumental versions, including “Auto Scene 2”, “Auto Scene 3” and “Looking At Map”. Despite being a solid song that could have been a highlight on Atom Heart Mother, "Country Song" didn't make the cut and Antonioni instead used “Brother Mary” by Kaleidoscope for the scene.  

Wright composed a beautiful piano piece for the riot scene, which the band called “The Violent Sequence”.  Antonioni again decided not to use it, but the band rewrote it into the magnificent “Us and Them” on Darkside of The Moon.  

For the scene in which the airplane takes off and flies, Pink Floyd composed several heavy rock pieces, including “Take Off 1” and “Take Off 2”.  A third variation of “Take Off” was dubbed “Fingal’s Cave” by the band, and was considered the master for their own soundtrack album, had it been released.  Antonioni did not use any of these, and instead used an edit of Grateful Dead’s “Dark Star” from Live/Dead.  

A second ‘driving on the highway’ scene featured variations of a rollicking folkish song called “Crumbling Land”, the second to contain actual lyrics and was eventually featured in both the film and official soundtrack.  A shorter version called “On The Highway” was also recorded.  

The love scene between Daria and Mark proved to be more difficult to provide, as Pink Floyd recorded several vastly different pieces of music for the love scene.  The band initially tracked a spacey, psychedelic piece featuring Wright’s farfisa organ and David Gilmour’s delayed guitar effects with overdubbed vibraphone, not dissimilar to More’s “Quicksilver”.  After recording three different versions of this arrangement—with the third featuring overdubbed erotic sound effects and called “Oenone”, intended as the master for Pink Floyd’s own soundtrack album—Antonioni suggested a different musical approach.  “Love Scene 4” featured a majestic Wright piano solo, with an overdubbed vibraphone.  This too was rejected, and Pink Floyd simplified it to “Love Scene 5”, a double-tracked vibraphone piece, which was also dismissed.  A complete rethink produced “Love Scene 6”, a slow blues jam, renamed “Alan’s Blues” and meant for the band’s own soundtrack album.  That two was rejected, and Pink Floyd attempted one last arrangement for Antonioni’s love scene: a long, space-folk instrumental (reminiscent of “The Narrow Way, Part 1” and “Baby Blue Shuffle in D Major”) called “Love Scene 7”, which was also called “Rain In The Country” for the band’s own intended soundtrack album.  All five of these variations of the love scene were rejected and Antonioni used a multitracked solo guitar piece by Jerry Garcia instead.  

Pink Floyd’s final contribution was used in both the film and official soundtrack: “Come In Number 51, Your Time Is Up”, the remake of “Careful With That Axe Eugene” featured in the explosion scene.  The band also recorded an alternate take called “Explosion” in a major key.

Ultimately, only “Heart Beat, Pig Meat”, “Crumbling Land” and “Come In Number 51, Your Time Is Up” was used and featured on the soundtrack.  Pink Floyd allegedly compiled their own eight-song, 40-minute master of their original music for a possible release, but it never emerged.  The film’s musical advisor Don Hall played several selections from that master on the radio in late 1969; a recording of that broadcast was used to make the legendary Omayyad bootleg, which gave Pink Floyd collectors a sample of some of the Zabriskie Point music left on the cutting room floor.  “Country Song”, “Love Scene 4”, “Alan’s Blues” and “Rain in the Country” all appeared on the bonus disc of the 1997 remaster of the Zabriskie Point soundtrack, with an additional 70 minutes of studio outtakes from the sessions appearing on the bootleg A Journey Through Time and Space, possibly dubbed on the sly from the mastertapes during the Zabriskie Point remastering process.  Finally, 47 minutes of Zabriskie Point recordings were featured on The Early Years: Devi/ation box set in 2016. 

My reconstruction of the Soundtrack to the Film ‘Zabriskie Point’ collects the master takes of each song meant for each of the seven scenes, additionally using three variants of the love scene, presented in film order.  My intent is to present this reconstruction as a sister album to Pink Floyd’s More, so some tracks have been edited for the sake of release-appropriateness.  Each side is approximately 20 minutes and this reconstruction should be able to slip into Pink Floyd’s official cannon with no musical overlap. 

Side A begins with “Heart Beat, Pig Meat” and “Country Song”, both taken from the 1997 Zabriskie Point remaster.  This is followed by “The Violent Sequence” from The Early Years; note this is the shorter version recorded during the actual Zabriskie Point sessions, as opposed to the longer Richard Wright demo recorded just before Dark Side of The Moon.  Next is my own unique edit of “Fingal’s Cave”, in which “Take Off 1” is hard edited onto the end of “Aeroplane” to make a more complete listening experience, both from The Early Years.  Next is “Crumbling Land”, taken from Zabriskie Point but pitchshifted to be in the correct key.  Side A closes with what I am calling “Love Scene”, which is my own unique edit of the piano/vibes mix of “Love Scene 4” from A Journey Through Space and Time, cutting the over-six minute track down to a manageable three minutes! 

Side A begins with my own edit of “Alan’s Blues” from the 1997 remaster of Zabriskie Point; here I have edited out Gilmour’s first (and embarrassingly clumsy) guitar solo, cutting an entire minute out of its run-time.  Following is “Oenone”, the master take of Pink Floyd’s spacey version of the love scene.  Although their final master is as heard on the Omayyad bootleg, I am instead using the “Full Mix” as found on A Journey Through Time and Space bootleg, as it has superior sound-quality and added sound elements.  I have faded the song out 3:45, excluding the band’s ridiculous erotic noises, as I felt it disrupted the feel and flow of the album as a whole.  Closing the album out is “Rain in the Country” and “Come in Number 51, Your Time is Up”, both from the Zabriskie Point remaster. 

While certainly not the greatest Pink Floyd album—and one can understand why it was never released—the Soundtrack To The Film 'Zabriskie Point' seems to stay close to my heart and holds a lot of air time on my music player.  The album showcases a series of snapshots of Pink Floyd genre-hopping, including individual songs that each play upon their diverse range of strengths and influences: experimental found-sound collage; heavy psychedelic rock; electric blues; atmospheric psychedelia; acoustic folk.  There is a bit of everything thrown in the mix, yet the album works as a whole, more so than their previous and equally-diverse soundtrack album for the film More.  Although largely instrumental, the two song-based gems “Country Song” and “Crumbling Land” are stand-out tracks that could rank as high as any of the Pink Floyd singles from the 1960s.  Soundtrack To The Film 'Zabriskie Point' has something for everyone and shows their essential continuity in between Ummagumma and Atom Heart Mother.

Sources used:
Zabriskie Point Soundtrack (1997 TCM Records remaster)
A Journey Through Time and Space (2000 Scorpio Records bootleg)
The Early Years 1970: Devi/ation (2017 Pink Floyd Records)

flac --> wav --> editing in SONAR Pro and Goldwave --> flac encoding via TLH lv8
*md5, artwork and tracknotes included


  1. Been a while, but it's worth it. Hope we'll get more this year!

  2. Welcome back Sonic, always a good day when I check and find a new post on here. Thanks for the upgrade on this one, can't wait to give it a listen.

  3. Sweet, thanks! Now we need someone to edit all of this back into to the movie.

  4. Thanks for all your background info, most informative and very helpful in understanding the process involved in the creation of the album. Keep up the good work.

    PS is there any evidence of an unreleased album by Tom Waits. :-)

  5. Could you please update your links for The Who's Lily and Tennis comps? Thanks.

    1. No, I am thinking about revising both of them, so I won't be re-upping those old versions.

    2. Really? Awesome, when can we expect results? :)

    3. Well, since the world is shutting down and now I find myself with a ton of spare time, quarantined for a few weeks, I am actually going to try to upload a new Album That Never Was every week. So hopefully I'll put up my upgraded Who's Lily (that I finished yesterday!) next week, and Who's For Tennis the week after.

      Since we are all forced to stay in doors, I guess I can at least give everyone some cool music to listen to while that happens, right?

    4. Much appreciated. I guess there really is a silver lining. :)

  6. Welcome back from the land of obscurity. A most welcome upgrade. Please keep in the game, you do great work.

  7. Have I confused things my end - or is Crumbling Land listed twice? I don't think Country Song is among the downloads, or not tagged as such?

    1. Country song is Track 2 but it has been mislabeled as Crumbling Land.

      The tags are wrong but the songs are correct.

    2. I just love the sound they made (at least in this period). You've worked wonders with the material - the sequencing is spot-on - and come up with the definitive missing album. Many have tried (including myself) but this is the first time it's actually sounded like an album - and one that would sell a shitload if they released it today, in a flip-over laminated sleeve and black label. Kudos!

  8. Ask and thou shall receive :D

    Cracking first drop of 2020... Good to see you back doing what you do Sonic.
    Cheers for this and all the other gems you have given us.

  9. This comment has been removed by the author.

  10. Hi Soni, really looking forward to what you produce regarding TW, have been a fan for many years. I'm almost drooling :-).

  11. > The film was listed in the 1978 book The Fifty Worst Films of All Time. It has been described as "the worst film ever made by a director of genius" but it "is still absolutely watchable because of the magic of Antonioni's eye".[18] Over 20 years after the film's release, Rolling Stone editor David Fricke wrote that "Zabriskie Point was one of the most extraordinary disasters in modern cinematic history."[19] It was the only film Antonioni directed in the United States, where in 1994 he was given the Honorary Academy Award "in recognition of his place as one of the cinema's master visual stylists." Following early 21st-century screenings of pristine wide-screen prints and a later DVD release, Zabriskie Point at last garnered some critical praise, mostly for the stark beauty of its cinematography and innovative use of music in the soundtrack, but opinions about the film were still mixed.[7]

  12. Just a small question: wasn't Country Song supposed to be titled The Red Queen on the soundtrack? I remember having read so sometime ago

  13. Great work...much appreciated BUT the FFP file needs to be changed re. the Country Song error...

  14. This comment has been removed by the author.

  15. Thank you... love your work!

    Brian (an old Pink Floyd fan from Cape Town)

  16. Thank you very much for this. Another distraction to help pass the time in these isolated times.

  17. Have you thought of trying to make Pink Floyd's 'Big Spliff'? There's lots of material around. Would love to hear your version. Tracks like; Slippery Guitar, Rick's Theme and David's Blues are all marvellous material. Many thanks.

  18. Hey Soni, I gave a double cd release of the soundtrack TCM classic soundtracks label. The first cd is the original album and the second outakes with 4 additional Garcia tracks and 4 Pink Floyd tracks. That makes 7 of the original PF album. Worth tracking down

  19. Love what you've done here! Thx.

  20. empty3


  21. Is it possible to re-up the link. Fabulous site. Thank you in advance.


  23. I've loved your version for a good while (Thank you very much for it!), but I found the 1990s soundtrack CD and thought I'd try my own version using only the stuff from that release. Got the flow down if I do say so myself...

    1. Heart Beat, Pig Meat
    2. Country Song
    3. Alan's Blues
    4. Crumbling Land

    5. Unknown Song
    6. Love Scene
    7. Come In Number 51, Your Time Is Up

    At least to me, tracks 1&2 sound very Floyd-y in their sequencing. Hope you like it!

  24. Replies

  25. Hello, I am once again asking for your support in re-uploading an album reconstruction such as this. Thank you.


  27. This comment has been removed by the author.

  28. Requested re-up:

    flac -

    mp3 -

  29. Hey Sonic, hope all is good with you.
    It's that time of year again when spring starts springing I always reach for the 68-72 Floyd & every year or so I redo Zabriskie Point. Yours is one of the greatest reconstructions and I largely stick with your selections, I do however like some of the extended endings and quirky elements from the ATZPOV release so did my own edits in places... Was listening to yours again yesterday and noticed the glitch at about 01:35 in Oenone, I had edited down the same love scene take as you but took the glitch out, it really is the most interesting version of those similar love scene takes, shame they start with the silly ad-libs.

    I found my own solution to the naming issue too.
    Love scene one = Love Worn
    Love scene two = Love seen to
    Love scene (take) four = Love Seen For
    Love scene seven = Love's Heaven

    So, Love's Heaven... aka Baby Blue Shuffle, aka The Narrow Wat pt1, aka Sunny Side Up, aka Rain in the Country. I am torn between that and the Unknown song version that you use. It is basically the same song but without the baffling Funky Dung ish overlayed in places (wtaf is that all about??). Do you think it is a viable swap? I also include Love scene take 4 edited down to a few minutes to see the album out, actually noticed a similarity between that and and one of the first parts of Sisyphus for the first time the other day.

    01. Heart Beat Pig Meat 03:12
    02. The Riot Scene 01:36
    03. Fingal's Cave [take off I] 01:25
    04. Crumbling Land [xtended edit] 04:37
    05. Alan's Blues [xtended edit] 06:18
    06. Oenone 03:43
    07. Take Off [take off II] 01:07
    08. Country Song [xtended edit] 05:24
    09. Rain in the Country [Lscene 7] 05:02
    10. Country Song [reprise] 01:53
    11. Come in #51 your time is up 05:03
    12. Love Seen For 03:17

    Total Runtime 42:37

    It feels a lot more of a Floyd album with the full endings rather than dull fades imo.

    One thing I did a few years back was a 50th anniversary edition with dialouge from the movie as segues and overlayed here and there like the 'Karl Marx' lines over the begginig of riot scene, actual take off with mechanic conversation on the beggining of take off/aeroplane/fingal's etc. It kinda worked but the mono movie mix spoiled the fun slightly. But, I have a demixer software that can strip the audio stems down and I can mix them into stereo so will be updating that again soon in full stereo :D

    One of the reasons I started this now wall of text is that I wanted to ask if you use this software? & to recommend 'RipX DeepAudio' it has made seperating audio so much easier and someone with your talents would be absolute masters when it comes to reconstructions.

    Thanks for the uploads and the inspiration.
    All the best.

    1. Could you share your edit of Zapriskie Point? Thanks so much!

  30. soniclovenoize, do you have current links for this?